When we were shooting my last film, YELLA, in the Prignitz region of Germany, there was a report in the local newspaper that the police had arrested a Vietnamese man. He was found on the highway standing next to his car which had a broken rear axle. The trunk was full of coins, and that was good enough reason to arrest him. It turned out that the man owned 45 snack-bars in the region, and the money in the trunk was change and daily receipts. He had built up his business and bought a house on the outskirts of town, deep in the forest away from the other homes, for himself and his family. Prignitz County is a region in former East Germany dying a slow death. Nothing is produced, there is hardly any work. Nevertheless, the Vietnamese man had managed to start a business, buy a house, and find a “home” here. Finding-a-home is something that interests me, and people who manage to get their way against all odds too. Everywhere they turn, they are confronted with defeat and bankruptcy, but nevertheless they forge on. Often these “home-builders” are withdrawn. They are like islands. They are alone. The idea of being an islander reminds me of Robinson Crusoe: trade routes, modern capitalism, the yearning of people to understand it all and to begin anew, the result is reconstruction. That is what Robinson does, he reconstructs the world again. When other people, friendship, and love intrude into his world, it all falls apart. When the film was finished and we could view it with a bit of distance, we were surprised to see that there is not a single scene in which money doesn’t play a role. As an image, as a value, as betrayal, and as a means of exchange. I had the feeling that money had slipped into the film, into the images and between the characters: that it lubricated the story.I also noticed that it is always men who are these home-builders. That is why they need money and a woman. “You can’t love, if you don’t have money!” says Laura. She doesn’t want to buy somebody. She doesn’t need a home. She needs money to be independent. The men aren’t happy with that. So a crime has to occur in the story.